Callum for Mayor

As part of their work with Strong Voices, Tin Arts took the lead on supporting other organisations to develop Work Placement Programmes for young people with additional needs.

Here, Susan Mulholland, Deputy Director of Participation at Northern Stage, shares her reflections.

I applied for this programme to alleviate some anxieties I had about hosting a young person with SEND (Special Educational Needs and Disabilities) on a work placement programme. The anxieties were mainly about ‘getting it wrong’, a worry borne out of our collective lack of experience.  These fears were soon alleviated by simply talking about it and having some excellent training from Daley Barber-Allen, Deputy Head at Thomas Bewick Academy. We then welcomed Callum into the company for half a day a week over a half-term. Callum was enthusiastic, receptive to almost all of the tasks (he was not impressed with postcode analysis!) and a little blown away by the complexities of the theatre industry. On our part we were blown away by Callum’s way with words and ability to come up with straplines and slogans e.g. when asked to advertise the Wizard of Oz he suggested ‘Have you got the heart/brains for this?’ Callum redesigned the geography of Newcastle as part of our Manifesto project and devised his own manifesto for the city:

We will talk to each other: To ensure that we get the best out of the city

It’s fair to say that Callum has won us over, he gets our vote. As I write this we are rethinking the structure of our whole work experience programme. It has made me consider why we do these programmes and more importantly who they are for. More people with Callum’s rather brilliant view of the world please!
Tin Arts http://tinarts.co.uk/

Northern Stage http://www.northernstage.co.uk/

Thomas Bewick Academy http://www.thomasbewick.newcastle.sch.uk/site

Strong Voices Digital Conference: My Review

JonJoe is a Strong Voices Intern. Here he writes about his experience at the Strong Voices Digital Conference at Sage Gateshead.

It was a day full of passion, ideas and reflection.

Proir to the conference I met with Katie Dowson, who was involved in organising it. I wanted to ask her some questions about this, and also her role as Partnerships Manager for Strong Voices.

She told me that the idea of an interactive, online conference came about as it would have been difficult to organise different events and it was important that all projects were included and had a chance to be involved. It was decided that the digital conference was the best way to forward.

The day of the conference began with briefing the volunteers. This was led by Debbie Little, Volunteer Coordinator who gave out instructions to everyone about their roles. Jane from the Customer Experience Team gave me a radio to keep in touch with the volunteers. The role I was given was official “tweeter” for Strong Voices North East, so my first tweet of the day was to introduce myself and tell everyone that the atmosphere was good and it looked like it was going to be a great day.

After mingling with some of the delegates, l took my place at my desk next to the tech team facilitating the online conference. This was right up my street and l took in as much as l could.

The conference opened with Katherine Zeserson, Director of Learning & Participation at Sage Gateshead, making a passionate keynote speech, during which the audience sang “It’s A Great Day” and the online audience were invited to compose a “Haiku” about the conference. The day continued with a seminar called “Reaching Out”, which was streamed to the online audience, as was the afternoon seminar “Diversify Your Workforce”. Delegates were asked to use their mobile phones to text in answers to an online poll, it was interesting to see how this worked.

Alongside this in another room   “Professional Learning” and “Progression” seminars were also taking place but not being streamed online. I’m hoping they will be available to view online at some point.

During the lunch break I caught up with a delegate who told me she was there to celebrate the work of Strong Voices, and to learn from other peoples’ experiences over the last two years, and while she liked the idea of a digital conference she didn’t feel connected to the online audience. She felt a responsibility to share the learning now that the project was at an end and wanted to know how she could do this.

The final Keynote speech was given by Pat Cochrane, Director and CEO of Cape UK. Reflection and Enquiry – The Grit In The Oyster, which was then opened up for lively debate. I felt strongly that some of the words being used to describe the young people weren’t correct, so I bit the bullet and asked for the microphone. I said that people shouldn’t have preconceived ideas about the young people they worked with, and people shouldn’t be labelled. Go in with an open mind as everyone is different and unique. I was nervous but pleased that I had given my point of view. I hope that all of this knowledge and learning will be used to move forward and be implemented in a real working environment.

It was evident that a great deal of planning had gone into the conference, It ran smoothly and was well attended. Hopefully the delegates left with some positive ideas to pass on and also put into practice in the future.

JonJoe was tweeting from @StrongVoicesNE  https://twitter.com/StrongVoicesNE
Check out @StrongVoices15 https://twitter.com/strongvoices15  #StrongVoices and #StrongVoices15 for more tweets from the day.
If you didn’t make it on the day, or want to catch up on things you missed, check out presentations and the online programme here

The Work Placement Programme

Strong Voices are delighted that Tin Arts http://tinarts.co.uk/ have been working with usTin - GW Image as part of the Work Placement Programme.  Here, they share their story of working with George.

George Williams has been dancing with TIN Arts since 2011 and has recently started a new work placement alongside his other activities.

When George was younger he attended Priory Woods School and Arts College in Middlesbrough up until the age of 18. Now 23, George is a regular performer with Flex Dance, a leading dance company of artists with a learning disability led by TIN Arts (http://www.tinarts.co.uk/flex).

Over the past 4 years with TIN Arts George has focused on developing skills related to dance technique and performance as well as building his fitness and flexibility. More recently TIN Arts have developed a closer relationship with George’s old school so it seemed sensible to explore whether we could create a new programme of support for George focusing on helping and supporting others to dance.

Starting in January of this year, George now attends Priory Woods once a week supporting Tess Chaytor, the Artistic Director of TIN Arts, to deliver a dance workshop with older pupils in the school. The group is creating a piece of work to be included in PULSE, a regional youth dance competition run by Dance City and part of a wider national competition called U.Dance.

George has his own support in place in the form of an Enabler from TIN Arts called Yuvel. Yuvel is there to help George to develop skills related to supporting and encouraging others whilst also ensuring George receives any help and advice he needs whilst being part of the workshop.

TIN Arts offer regular work placements both for people with and without a learning disability. Each placement is tailored and personalised to each individual. For George, his seeks to improve his confidence in working with others and develop communication skills on a range of levels.  Such transferrable skills will contribute towards future training or employment.

Funding for George’s placement is provided through Direct Payments that support George to travel to and from the venue as well as meet the costs of the Enabler from TIN Arts to support him in his development.

TIN Arts work placements, tailored for people with learning disabilities, are also part of a wider programme of activity, called the Work Placement Programme, aiming to create opportunities for young people with a learning disability to access placement opportunities within cultural organisations.

The Work Placement Programme is funded by Strong Voices* and Musical Inclusion** and is part of a wider agenda focused upon developing and supporting disadvantaged and vulnerable young people’s engagement with the arts and cultural sector.

The programme is supporting cultural organisations including Sage Gateshead, Northern Stage and Jack Drum Arts to develop the necessary knowledge, skills and resources to receive young people with a learning disability into work placements.

*a DfE programme managed by Bridge North East    **a Sage Gateshead project funded by Youth Music

Being a Creative Apprentice (Part 2)

There are so many projects I’ve been involved with that I couldn’t fit them all in to the first blog!

ESF (European Social Fund)

ESF Community Grants provide grants of up to £15,000 to small third sector organisations. The money is used by the organisations to run courses or activities for people in hard to reach communities. The activities aim to help people gain skills and progress towards finding work.

Community reporting

This allows people to understand more about journalism, speaking out on issues that affect them, and to enable them to update skills on their literacy

YOUNG PERSONS CREE

Our CREE project is funded through Durham County Council’s Public Health Department and supports a young people’s drop-in group based on an Australian idea known as ‘Men’s Sheds’ managed in County Durham by East Durham Trust. The project is a direct response to the increase in the decline of the emotional wellbeing and mental health of young people and is aimed at reducing social isolation amongst those aged 13–19 years from the Wear Valley area.

  • Cree is a place for teens to come to either chill and have a bit of space from their home life or to socialise with other teens and work towards a project and then they can show what they have learnt to the public or family and friends. We are currently learning street dancing, circus skills and graffiti, we also provide a service for the young people if needed to talk about problems, we have Cree champions who went on courses such as ASSIT prevention of suicide so they can provide a talking service if needed, but if the Cree champions feel as if they can’t do anything we’ll give them services they can contact such as Samaritans and Mind.

All courses are about social interaction, this helps people of all ages to develop social skills as well as recognising other people’s lifestyles, issues and thoughts which people can support and help make ideas come to life. Within this myself and other staff can help support them with any issues and if they have a disability we can support them within the limits of our own health and safety. I enjoy this as I did Health and Social care NVQ Level 2 at Bishop College, I love being able to help people who need some support especially through a creative arts journey – it’s like art therapy in a way. We get some people referred to us by doctors who have mental health issues.

Having the opportunity to be part of the structure of Jack Drum Arts as a Creative Arts apprentice is amazing, I was a participator within the youth theatre that is run through youth music and to be “behind the scenes” of what goes on is brilliant.  I get to see how much effort and time goes into the projects and now I can be part of the effort of these programmes for the participators.  It is such an eye opener for people like me still learning about structure in the business and how everything fits into place. The Creative Arts Apprenticeship has really made me think on how much of the process is done in the office by the staff.

The creative arts industry is amazing, and to be able to do an Apprenticeship in it is wonderful, and truly amazing, there are days where you wish you could just go home, but that is hardly the case as it’s new and exciting things near enough each day and it makes it worthwhile.

Charlotte – 18, Creative arts apprentice, Jack Drum Arts.

Being a Creative Apprentice – Charlotte (Jack Drum Arts) Part 1

Jack Drum Arts http://jackdrum.co.uk have been hosting a Creative Apprentice as part of their Strong Voices work. In the first of her blogs, Charlotte tells us about some of the work that Jack Drum Arts does.  Watch out for the next blog, focusing on what Charlotte has been doing as a Creative Apprentice.

I am a creative arts apprentice currently working at Jack Drum Arts, which is a local business that delivers different types of creative workshops for all ages.

We run courses for Adult and Community Learning, Colour your life and ESF. We also run a young person’s Cree group and a big Youth Music Project. Within these we have produced work either for a performance or for participators to gain skills, to have a product for them to take home and just to get out the house for social interaction. I really enjoy being part of Jack Drum Arts as it helps me develop my skills and lets me have a better understanding on how a workplace can develop as well as opening my eye towards the culture sector and how much the arts can help support vulnerable people.

Our courses are funded by:

ADULT LEARNING:

We deliver courses for Adult Learning and Skills via Durham County Council’s Lifelong Learning Department.  Courses range from 1 off taster sessions to weekly courses in drama, filmmaking, arts and crafts, creative writing and cooking. The following sessions/courses are run at St Cuthbert’s center in crook where Jack Drum Arts is based.

  • Pottery; lets people update or create skills on pottery and also creativity.
  • Felt making; updates their knowledge on felt making and having a awareness of the culture towards the process of felt making.

We have a wide variety of courses on offer in 2014/15 including Samba for Families, Family Heritage Courses, Pottery and Ceramics, Textile Arts, Pedal Power Cinema Filmmaking, Digital Storybooks, Filmmaking projects including a course specifically for women’s groups, Family Arts and Crafts and taster sessions in Pedal Power Film Screenings and Creative Walking.

COLOUR YOUR LIFE:

Is an Arts and Education on Prescription service funded by Durham County Council Public Health Department.  The program aims to provide free access to artistic and creative activities promoting positive mental health and wellbeing using professional experienced artists and tutors.  The program supports people of all abilities whilst providing opportunities for friendship in a safe, welcoming and supportive environment and is open to adults age 16+ with provision for family groups as well.

  • Barnard Castle Hub (Barnard Castle Sure Start Outreach Centre)

Family Arts and Music this course is for parents and young children to come and have some fun, it also get the children involved in fun learning.

YOUTH MUSIC:

Jack Drum Arts secured £97,560 from the National Foundation for Youth Music to work with children and young people across Wear Valley over the next two years on an exciting programme inspired by music from diverse cultures. Jack Drum Arts is one of only eight organisations in the North East to secure the funding out of 108 music organisations nationally. ‘Sounds Around the World’ will sustain and develop more opportunities for regular high quality music making for children and young people in Wear Valley, widening the range of provision through regular after-school sessions, weekend and holiday activities led by professional music leaders.  ‘Sounds Around the World’ builds on Jack Drum Art’s high quality work with children and young people, particularly our 18 month folk music project called ‘Sound Stories’ (also funded by Youth Music) which came to an end in March 2013.

  • Jackass: This is our youth theatre, which is on Monday nights, this gets teens involved into activities in the Youth Music sector and they develop social skills and communication skills. Everyone respects each other and everyone’s opinion.

Charlotte  – 18, Creative Arts Apprentice, Jack Drum Arts.

Bringing Words to Life – Strong Voices Creative Apprenticeship Programme

Literacy and written word charity Bringing Words to Life http://bringingwords.org/ hosted a young apprentice as part of the Strong Voices Creative Apprenticeship programme.  Here, founder Melanie Cornish shares why she feels they’re a win-win for young people and organisations…

With the media in a frenzy about how our young people are not in a position to be employed when leaving school you have to wonder, well how can that be with so many apprentice schemes available to us employers?

I founded and now run a literacy charity in Blaydon, currently in its third year of trading and very much about giving young people a voice. Taking on apprentices, of which we have done three times now, has always been high on our to-do list for a couple of reasons. We are a young organisation and pride ourselves on allowing young people to work within our charity at nurturing their skills. At such a young age, these skills may not be apparent just yet, but by allowing them an opportunity to develop and grow, even if they don’t go on to stay with us as staff or in a volunteer capacity, we are aiding and abetting their entrance to the working world. If all they take from their time with us is the importance of time-keeping and communication, we have started laying solid foundations for that young person’s progression, not just in employment but in life.

Another reason we pay homage to apprentice programmes is the lack of provision for young people. Remembering back to ‘when I was a lass’, part-time work for young people was readily available and my weekends and school holidays were filled with shifts at a local hotel from the age of 13. Those opportunities are much harder to find now and can be compared to a hunt for a taxi outside the Bigg Market in the wee hours of a Sunday morning. Apprenticeships are something we promote to any young people we come into contact with, as it is a foot in the door to what potentially might become a full-time job. That, combined with the advantages of support from organisations, such as Strong Voices, on tap throughout the process for the employer and the apprentice, mean opportunities such as these are welcomed with open arms from the likes of our charity.

While I can only speak for myself and on behalf of my company in this post, I urge anyone, both employee and employer to give the apprenticeship schemes out there a go. My first apprentice is now a full-time employee within the organisation and watching how that young person has developed over her time with us, not just as a member of staff, but as a confident, eloquent and dynamic young woman, I would be lying if I said it isn’t a ‘proud mammy’ moment. We might be a rarity in our approach to such schemes, as I am sure there are those out there who tried an apprentice scheme and it didn’t work out for them – we have bought that t-shirt too; but like with anything you have to take the rough with the smooth.  When you find that ‘diamond’ or that ‘diamond’ finds you, the ability of being able to aid the next generation in their quest for work suddenly becomes a reality.

Strong Voices/Beacon Hill Arts/Thinking Space – Blog 2

Thanks to support from Strong Voices, Beacon Hill Arts is working with Thinking Space to develop accessible ways of having creative conversations with the young people we work with – some of whom find vocalisation difficult due to their special educational needs and disabilities. From these conversations we aim to find ways to identify the young people’s aspirations and then work in partnership with their families and circle of support to help them take the next steps towards their identified goals.

On Sunday 18th January Thinking Space delivered a “Conversation Day” in partnership with the Beacon Hill Arts BFI Film Academy. The aim of the day was to enable the group to look back at their Film Academy experience so far (we were at precisely the “half way” point) and think about what they had enjoyed. Using a range of techniques, we had conversations with 11 young people, working across two groups. The first step was to identify broadly the “type” of activity the individual group members preferred. Using “Poles Apart” – which involves participants choosing which is “better” between two options and then supporting them to devise arguments to support their choice – we explored some broad themes such as “in front of camera” or “behind camera”, “animation” or “live action” and so on. Next we established the activities that they had enjoyed the most and ranked these in order. One of the methods we used for this was the “Concept Cake”, which involves individuals choosing the three most important “ingredients” of the Film Academy – represented on picture cards – and ranking these in order of preference.  To draw out and identify some of the skills that they would have to use during these preferred activities, the group played “Skills Bingo”. This helped to clearly match activity to skills and will act as a very useful basis for the next stage which will be another day of Creative Conversation – but this time focusing on the “what next”?

After the workshop was over, Thinking Space compiled a list of each of our Film Academy members including:

– The activities they expressed interest in during the Taster and Selection Days

– The activities that Andrew (Lead Facilitator) had observed them particularly enjoying

– The activities they marked as preferences during the first conversation day

This was a very interesting “triangulation” process that showed a great deal of correlation, but also some interesting changes over time too. We have also identified the “common interests” that appear at all three stages (every single young person has a “common interest” that can be defined in these terms) as a spring board for the next workshop.

Will Sadler – Beacon Hill Arts

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Strong Voices/Thinking Space/Beacon Hill Arts – Blog Entry 1

My name is Will and I’m from Beacon Hill Arts CIC which supports the creative aspirations of people with learning disabilities, autism and additional needs – with a focus on filmmaking and music production.

With the support of Strong Voices North East, we have teamed up with philosophical enquiry organisation: Thinking Space.

The reason? We want to find alternative ways of having meaningful conversations with the groups we work with. People with learning disabilities and autism can often find communicating through conventional means quite challenging. For example they may struggle with writing, they may be non-vocal; it can be challenging to verify understanding on both sides of the conversation.

Thinking Space are helping us to develop techniques that focus around talking through movement, talking through pictures, having conversations by expressing a preference, by ranking and ordering, by comparing and contrasting or by deciding the essential ingredients of something.

We want to do this because we want to be in a better position to identify and support ongoing aspirations, the “what next” after their workshops with us, trying to make sure that their experience with us is the start of something. We figured that in order to ensure the inclusion of those with the most challenging communication issues, we had to rethink the way we engaged with them in conversation.

So far, we have had a fantastic training day with Grace from Thinking Space, we invited representatives from several organisations around Tyneside to attend too so we could share the learning!

Grace took us through several imaginative methodologies to aid conversation and she will be working with us on our 2014/2015 Film Academy to help us implement these with our young people so that we can work with them to identify, monitor and plan around their aspirations.

I will be blogging again at the end of January 2015 to tell you more about how the project has developed. Until then, find out more about the project here.

Will Sadler – Beacon Hill Arts

It’s always better when we’re together: A glimpse into a learning organisation

Strong Voices have been lucky enough to have the support, advice, guidance and listening ear of Marc Jones of Rose Tree Associates http://www.rosetree.org.uk/. He is part of our core team and is an invaluable member; enjoying discussions over cups of tea and coffee (and biscuits) just as much as we do!

Below, Marc reflects on his experience to date and shares insights about his time with the Strong Voices team and how this has informed his own practice….and how in turn this has informed ours.  Enjoy…..

It is very interesting what happens between people. What happens when we spend time with others is usually more than the sum of its parts. That is to say that if the parts were all that are needed, then our email and phones would be all the tools necessary to copy thoughts from our brains and record them somewhere to the same effect. However they’re not. There are meetings, lots of meetings.

I’ve been lucky this last year to volunteer a few hours per week into the Strong Voices North East team. It’s been a surreal experience moving from someone who works largely alone to being part of a team to exchange and laugh and connect almost constantly. Its been an exciting collaboration on all fronts, working with different people on each project.

What I’ve noticed is the day-to-day for each person on the Steering Group, for example, is utterly fascinating to the rest of the room, and that an amazing thing happens – learning is created. I don’t mean simply the sharing of new information, but the generation of new ideas for all. Given that these are people who already have a shared connection and purpose, this is quite a feat.

So i suppose I became interested in this and started to ask “how does that happen?” How do we create such moments of interest and specialness in and around an organisation that make people think ‘I learned’? I hope that we can explore some ideas that have become apparent to me just by being with the people in this team, but have been explored in philosophy by the like of Ludwig Wittgenstein, Gregory Bateson and Humberto Maturana who have inspired some of the language used.

Knowing how to go on

Often in work settings, people use words like goal, aim and target to unify people and gain a collective movement in a particular direction. These are useful, they provide some orientation and a sense of what should be achieved through coming together. We could give these the title ‘functional aims’  and they could look like “Develop progression routes for a project”. What could make this great practice, however is adding what we could term an ‘experiential aim’ that looks like “be excited, creative and explore together”.

Potentially, this changes how we might feel able to relate to the topic. Its a subtle change, but a professional attending a meeting may feel that they are expected to ‘have all the answers’ or ‘know’ what to do next. This little shift adds some energy to how to go about developing a progression route in this context. It might just open the door for someone to ask a new question, to mention what seems like an insignificant detail, or to re-story what has happened so far to create a different sense of moving forward.

Stories lived and told

It’s easy to go through our daily lives in good coordination with others, to have a conversation or a meeting, for example. Sometimes this doing is called a ‘story lived’. Often, however, we might be asked how that conversation went, or what the meeting was like. How we talk about what happened is sometimes called a ‘story told’. There’s a great skill in being able to tell coherent stories, and it is worth taking time to reflect and select details that might weave together. If we simply note a few bullet points about things that happen, we can promote the functional aims adequately (and sometimes this is necessary!), but we might miss out how these points came about, and so the energy behind them. If we can summarize our meetings together, share notes and minutes and have a recap at the start of the next meeting, we help sustain some of the coordination, creative energies and continue to make connections.

Connections that pattern

We have coordinated our energies, created stories about our journey, and perhaps we have just started to notice that some of our stories resonate with each other; almost as if there seems to be a red thread, or a theme to them. Suddenly, with a 1980’s pop out that might say Bam! or Kapow!, the world suddenly aligns in a moment and a bigger, fuller story that feels more complete erupts into the room, and we realise we did learning together.

Of course, the story of this learning can be a precious thing that we then inform our future functional and experiential aims with and so continually reinforce our collective energy of ‘how to go on’ our ‘stories told’ about it and if we are just lucky enough, we might make a new ‘connection’ that takes us forward again.

To go back to the beginning of this article, we talked about how the day-to-day for some people is fascinating to others. We were perhaps hasty to assume that this shouldn’t always be the case. A suggestion could be that it is always fascinating to gain a glimpse into how other people ‘go on’. The key is in the glimpse and how in our busy organisational lives we prepare ourselves to see all the glimpses we can handle.